The Dark Cult and Freedom of Expression: Why Rick Owens Became the Designer of the Zoomer Generation

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Publiation data: 24.01.2026 11:05
The Dark Cult and Freedom of Expression: Why Rick Owens Became the Designer of the Zoomer Generation

He started as a marginal figure in the fashion industry, ignoring trends and rules, and ultimately became an icon for Zoomers around the world. Rick Owens is a designer who turned personal longing, rebellion, and the aesthetics of darkness into a language of self-expression for a new generation tired of gloss, templates, and imposed roles.

Rick Owens has long established himself as the main antagonist of the mainstream. His fashion is not about decoration but about a state of being. Post-apocalyptic silhouettes, monochrome, heavy fabrics, deconstruction, and a sense of night instead of the usual California sun have made his style instantly recognizable. This rejection of 'beauty for the sake of beauty' has become the key to his popularity among Generation Z.

The designer's path to recognition was not linear. Owens turned away from academic art education, preferring to seek his own visual language through clothing. The Rick Owens brand emerged in 1994 but existed in the underground for a long time. A turning point came in 2001 when Kate Moss appeared in his pieces on the pages of French Vogue. This attracted the attention of Anna Wintour and effectively opened the doors of high fashion for the designer.

In 2003, Rick moved to Paris with his muse and partner Michelle Lamy. They settled in a historic mansion that once belonged to François Mitterrand, and it was there that Owens began to form a full-fledged empire. His interests extended far beyond clothing — the designer ventured into furniture and art objects, creating massive, almost primal pieces from plywood, marble, and even moose antlers. He drew inspiration simultaneously from the works of Eileen Gray and the aesthetics of California skate parks.

The world of Rick Owens is almost entirely devoid of light and ease. There is no familiar joy — instead, there is silence, night, meditative gloom, and a focus on form. The designer remains true to the basic silhouette he developed early in his career, but reinterprets it each season. The body in his clothing transforms into a sculpture: drapery emphasizes the architecture of the figure, while layering creates a sense of monumentality.

The brand's signature elements — pointed shoulders, asymmetry, raw edges, unisex heels, and heavy footwear — have long become part of the fashion code. Moreover, men in Rick Owens collections wear heels with the same confidence as women. The designer has repeatedly emphasized that his style is 'an acknowledgment of teenage longing without its direct manifestation,' comparing his works to late minimalism of Brancusi.

At first glance, the brand's aesthetic seems closed off and even aggressive, while the prices are inaccessible. But it is this honesty and refusal to compromise that attract Zoomers. For them, Rick Owens clothing is not a way to fit into the system, but an opportunity to assert themselves without using words. The brand offers space for identity rather than imposing an image.

The attitude towards gender also plays a special role. In Owens' collections, boundaries are virtually erased: unisex silhouettes, flexibility of forms, and a rejection of traditional notions of 'male' and 'female' perfectly align with the values of Generation Z, for whom identity is a process rather than a fixed category.

Rick Owens has managed to transform his fears, melancholy, and inner conflict into a global cultural code. He did not adapt to the industry — he created his own rules. And it is this uncompromising nature that has made him a designer whom the new generation perceives not as a brand, but as a philosophy.

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